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I also hate the 2352 or whatever different models gibson sells. I believe the sg '61 reissue's strength lies in its simplicity, a slim mahogany body and neck plus a rosewood fretboard powered by gibson's '57 classic pickups create a clear and balanced tone with solid sustain. From all the research i've gathered, i'm understanding that gibson started stamping the.

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The longer the notes last, the bigger will be the differences How effective are they, meaning are they even worth considering them as a positive addition? An sg's tone decays faster and will sound thinner compared to that of les paul guitars

These provide more sustain and an overall rounder tone than sgs.

2013 was magical, for gibson sg's I bought 3, that year, and my first one, in 40 years, in december of 2012.which was the '61 sg reissue satin finish I have no regrets, whatsoever, making any of those purchases 2012 satin reissue '61 sg 2013 sg original w/maestro vibrola kirk douglass signature sg custom w/maestro les paul tribute sg w/sideways vibrola they all sound.

To my guess charlie brown, the bevel police officer of the board, would say that the sg 61 shape is the very one for sgs Two of my sgs have different body and neck contours, two have the 61 shape, and the differences are truly significant Nashville), and platings (nickel vs. The 2013 sg standards and originals are awesome sgs

Absolutely one of my favorites

Other than the smaller headstock and crown placement of the standard, they are a clone of the previous years '61 ri Immediately after, i also played a newer gibson sg standard in the store The overly light weight of the sg's body, the lack of density and focus in the tone, lack of mid/upper mid snap, and much slower resonance in the neck/body left me feeling disappointed with the feel. I'm seriously considering an 2018 sg standard hp

What do the dip switches do